08/05/2008: The home page of Martin Doyle Flutes was updated today. A Flute Information Quickfind panel was added for the convenience of our visitors. We have also tweaked the Homepage here and there and added a new image of Martin Doyle playing the flute.
Quite a number of new images have also been added to Martin Doyle’s Flickr album: Flute maker Martin Doyle.
A page regarding the care and maintenance of wooden flutes has also been added: Wooden Flute Care.
Gwenn Frin is a wooden flute player who has been assisting Martin Doyle for the past few months and learning about the art of flute making. Originally from Brittany, Gwenn fell in love with the simple system wooden flute – aka Irish flute – at an early age. The instrument has been an major part of her life ever since and has brought her to many parts if the world including Ireland, Korea and the United States.
Gwenn first performed with the Cercle Celtique de Rennes (who are coming to Cork in July of this year) where she was introduced to the traditional music and dances of Brittany before playing for the dancers themselves. Her true professional debut were with the band Beaj Iskis in the early 1990s, which toured the Fest Noz scene in Brittany for four years. Gwenn moved to Galway, Ireland in 1998 drawn to the roots of her passion. She took classes with renowned flute player Harry Bradley.
In 1999, Gwenn moved to Dublin to concentrate solely on her flute playing while completing a Higher National Diploma In Traditional Music performance (Ceoltóir) directed by flute player Paul McGrattan. This last experience led her to doing a Master’s degree in Music and Media Technologies in Trinity College, Dublin. These amazing two years transformed her musical understanding and experience and opened up her musical horizons not only to contemporary and electroacoustic music, but also to composition.
By Shardul.
Here I am in County Clare, Ireland, and staying with Martin Doyle for a few days. I brought Martin three sticks of Kanuka wood that were kindly given to me by Paul Whinray – a renowned New Zealand recorder maker who lives in west Auckland. The Kanuka wood was cut, bored and turned into round sticks in the late 80s and well cured.
Martin set me to work on preparing the sticks and with the kind guidance of his son Ógi, and Martin doing all the critical work, we produced a wonderful flute. It has a lovely tone (a little milder than the hardwoods like African Blackwood and Cocus) that I am sure will develop nicely with playing. The end cap of the flute is made of Cocus wood. Here’s a look at it:
Kanuka Flute – click on the image to see a larger version on Flickr
30/04/2008: A new page has been added to Martin Doyle Flutes which offers information and prices on the thin-wall wooden head joints hand-crafted by Martin Doyle for concert flutes.
View: Wooden Head Joints.
The Site Map has also been updated.
A Martin Doyle wooden (cocus) head joint on a Muramatsu concert flute.
More images can be found on Martin Doyle’s Flickr album:
Wooden Head Joints for Concert Flutes
Martin Doyle is one of several instrument makers interviewed in a feature radio programme called Sounding Post.
Produced by Nina Perry – an independent radio producer, composer and sound designer from London who produces features with Falling Tree Productions for BBC Radio 4 – Sounding Post will be airing on May the 9th at 11 am (GMT), and looks at the use of timber in instrument making around the world.
Nina Perry’s ‘composed feature’ Sounding Post traces a musical journey from the instrument-makers’ workshops and music studios of Europe and America, via the woods of southern England across to the mpingo – or African blackwood – conservation project of Tanzania. The relationship that each individual in the process – forester, craftsman, musician and environmentalist – has with the wood reveals insights into our feeling for nature, the materials we derive from our surroundings and the irresistible impulse to express ourselves musically.
From an Irish flute maker, Martin Doyle, an English Luthier, Martin Bowers, Luthier supplier David Dyke and a Los Angeles based guitarist, Laurence Juber, to the English forester Martin Charlton and members of the Mpingo Conservation Project in Southeastern Tanzania and Scott Paul of Greenpeace’s Music Wood Campaign, we hear about the sonorous qualities of different species, the increasing issue of maintaining sustainable supplies and the people who connect the music to the tree.
Sounding Post also features some great acoustic music which includes Martin Doyle playing wooden flute…
Given today’s environmental issues that are increasingly being highlighted by global warming, Martin Doyle has always tried to be conscious of the use of power and timber in his work. As an instrument maker who uses timbers such as African Blackwood and Cocus for the flutes he makes, Martin has long supported The Mpingo Conservation Project – an NGO that aims to conserve endangered forests by promoting sustainable and socially equitable harvesting of African Blackwood (mpingo) and other valuable timber stocks.
To power his house and workshop, Martin has opted to use environmentally friendly electricity supplied by Airtricity – a fully integrated renewable electricity utility specialising in the development and long term ownership of onshore and offshore wind farms. The Group currently has almost 400MW of generating capacity in operation across Ireland and Scotland, with a further 400MW in construction and to be operational this year.
Wind power is the conversion of wind energy into useful form, such as electricity, using wind turbines. In windmills, wind energy is directly used to crush grain or to pump water. At the end of 2007, worldwide capacity of wind-powered generators was 94.1 gigawatts. Although wind currently produces just over 1% of world-wide electricity use, it accounts for approximately 19% of electricity production in Denmark, 9% in Spain and Portugal, and 6% in Germany and the Republic of Ireland (2007 data). Globally, wind power generation increased more than fivefold between 2000 and 2007. Read more…
Martin Doyle is proud to be making woodwind instruments using wind power.
One of Martin Doyle’s recent accomplishments, an ‘F’ flute made in Boxwood, was featured late last year in an article about Irish flute makers. The article is based on an answer to an email enquiry sent to the Irish flute repair expert Jon Dodd regarding recommended Irish flute makers – and was published by Flutewise magazine.
FLUTEWISE is aimed at anyone and everyone who plays or is interested in the flute. We inspire, involve and motivate all our members to become better, more informed and happier flute players. The emphasis is on enjoyment, participation and friendship. We provide flute players with magazines, events, courses and opportunities that will educate, entertain and motivate them to attain and realise their maximum potential. Read more…
The ‘F’ flute was made specially as a gift for the spiritual musician and meditation teacher Sri Chinmoy on the occasion of the Master’s 76th birthday. It was a first-of-it’s-kind for Martin Doyle and, by all accounts, a beautiful flute with exceptionally sweet tone.
Jon Dodd is an Irish and concert flute repair specialist who lives not far from Martin Doyle in Knockliscrane, Miltown Malbay, County Clare. Click on the image above to see the full article as it appeared in Flutewise. Special thanks to Liz Goodwin of Flutewise for supplying the image.
Born in Dublin, Ireland, Martin Doyle grew up in the seaside town of Bray in County Wicklow. One of four children in a family with music in their blood, Martin was influenced and inspired by his mothers melodious singing from a very early age – learning songs that have stayed with him to this day.
Read more...
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 | Webmaster on Doyle Flute Featured |
 | Liz Goodwin on Doyle Flute Featured |
