Double bass (Frank Healy) and flute (Martin Doyle) in action
As recently posted on this weblog, Martin Doyle featured on a radio programme called The Music Tree. As the The Music Tree is about the Mpingo (African Blackwood) tree and its popular timber that is used extensively for the production of woodwind instruments, one of the requirements for the programme was some Irish traditional music that was predominated by the Irish flute. This task fell upon Martin Doyle to organise.
Asides from making great Irish flutes, Martin is also an Aikido instructor who offers classes at the town hall in Liscannor, County Clare – the Aikido group is known as Clare Aikikai. One of the many wonderful aspects of the County Clare is that music is an integral part of the culture there – musicians, singers and story tellers abound in Clare as they do all over the west of Ireland. And so it is with Martin’s Aikido group. Four of the members are strong traditional musicians so Martin got them together after an Aikido session one evening and they recorded a very nice piece of traditional music – and The Aiki Céilí Band was born!
The Aiki Céilí Band consists of Martin Doyle (flute), Éamon McCarthy (flute), Frank Healy (double bass) and Gabrielle Cappachione (guitar). Featured on The Music Tree documentary, the piece consists of two reels and can also be heard on Martin Doyle’s Anecdotes, Interviews and Music page.
All nations can mark key moments in their history when an event, entity or individual has made a crucial contribution to the development and character of their homeland. Most often these moments seem to spring during times of adversity but history also shows that they can occur during peaceful and prosperous times. Ireland is a nation that has seen it’s fair share of adversity throughout the centuries but the courage and fortitude of her people has helped to forge and maintain a very special character that shines in the world as something unique.
As with most colonised nations, the retention and eventual rejuvenation of the native language and music is tremendously important to the internal strength of a country. Examples of individual and collective commitment to the rejuvenation of Irish culture are many and varied. Ireland boasts a plethora of ‘heroes’ who, through the ages, have in various ways kept her sacred music alive for future generations to protect and develop. As a result, the music of Ireland is loved the world over and has kept its homeland’s heart beating proudly through thick and thin. Like her native language, Ireland’s music has been the mortar that has bound Ireland’s hopes, tears, smiles and dreams into an amalgam of collective fortitude.
By way of introduction, Martin Doyle has been good friends with Elizabeth Petcu for many years now. Both hail from the seaside town of Bray in County Wicklow. Although Martin now resides in County Clare, they still see each other frequently and perform together as Rune – a talented trio completed by Debbie Armstrong. Elizabeth plays a Muramatsu concert flute with a wooden head joint and also a simple system Irish flute (see them here) – both of which are made of cocus wood and crafted by Martin Doyle. Elizabeth was, for over twenty five years, principal flute with Ireland’s RTE concert orchestra.
Ludwig von Beethoven & Elizabeth Petcu - hearing loss a challenge, but not an impairment.
And what of the Elizabeth Petcu–Ludwig von Beethoven connection? Well, there appear to be common threads running through both lives. Sure they don’t share the same age, address, flute maker or historical gravitas, but they do share a passion for music – the universal language. Ludwig composed his own music of course, and Elizabeth has performed many of these creations over the span of her professional career.
They also share a similar adversity. Elizabeth Petcu suffers from a condition known as otosclerosis, which is the most common cause of progressive deafness in young adults. Some consider otosclerosis to be the most likely cause of Beethoven’s deafness. Whatever the case, it is well documented that Beethoven went on composing despite near complete deafness. In Elizabeth’s case too, when her hearing impediment forced her into retirement from the RTE, she has kept up with her practice and performs wherever she can with an enduring energy, cheerfulness and enthusiasm that is fueled by a great love for sharing her gift of music with others. Composers must compose, performers must perform. Audiences, large or small, receive the fruit of this wonderful synthesis.
As a young man, Martin Doyle travelled from Bray in County Wicklow to Africa. He was employed as a ships engineer – a job he took to raise funds for his burgeoning flute making business in the early 1980s.
Now an established and highly respected flute maker living in County Clare, Martin decides to return to Africa where Mpingo, the timber from which Martin makes many of his flutes, comes from. There he hopes to visit the forests where the Mpingo grows, to meet those whose livelihoods depend upon it, and make an Irish flute with the help of local craftsmen in a Tanzanian workshop – quite possibly a world first!
Martin Doyle at the workshop in Dar es Salaam, Tanzania. From left: Martin, Focus Senga, Salim and James Laizer.
Tomás MacUileagóid, a flute player, fiddler and harp player/maker from Dublin, Ireland, has kindly added a testimonial to Martin Doyle Flutes. Tomás recently purchased a keyed flute from Martin Doyle.
“Hi Martin, I have thought a lot about writing to you since I got my keyed flute from you. I wanted to really feel my way into it and explore what it has to offer. I am astounded by the range of colour available, just waiting for me to exploit it. The tones available far exceed what I could get on the flute I got off you 10 years ago. I wanted the keys because I have a particular interest in the music of east Galway, Paddy Kelly and Paddy Fahey in particular, and you can’t really manage that without the F natural. Obviously since I have a keyed flute I notice other flutes much more, and I am continuously impressed by your standard of craftsmanship, and I understand how difficult it is to maintain such a high standard. Well done!! I don’t know what motivates you as an instrument maker, but I enjoy being able to create something that is unique with its own voice, that will hopefully live long after me and in some small way contribute to making the world a better place. I think you have already achieved this. Thank you. Regards, Tomás.”
Very thoughtful and insightful words from a fellow instrument maker — thank you for your kind and encouraging comments Tomás.
This and other testimonials from owners of Martin Doyle flutes can be viewed here: Testimonials
Martin Doyle is visiting Tanzania with Nina Perry of Falling Tree Productions at the moment. Nina is making a radio documentary called The Music Tree for the Irish radio station Newstalk and it features Martin Doyle as an instrument maker visiting the area of East Africa where the famous Mpingo (African Blackwood) trees grows. Since the 19th century African Blackwood has been a timber favoured for woodwind instruments as its density, tonal properties, stability and durability are incomparable.
This trip is in its own way an historical occasion as many of the local people of Tanzania, some of whom are involved in burgeoning Mpingo conservation projects, have never before met a European craftsman who uses their timber to make musical instruments. Martin accomplished the task of making a flute with some of the local Mpingo carvers on the third day of his visit and by all accounts they were enthralled when it was played to them.
Nina Perry is kindly authoring a blog (where internet connection allows no doubt) dedicated to the trip — Music Tree — so that we distant onlookers can keep abreast of events.
No story, small or large, is complete without a picture. Here is one from Nina’s Music Tree blog:
Here is a video clip of one Ciarán McPhilemy playing a tune on a Martin Doyle flute. Unfortunately we do not get to see Ciarán playing; rather it is an audio clip played under a still photo of a flute. The flute in the picture is not a Doyle, that is for sure. Perhaps someone will be able to let us know what tune Ciarán McPhilemy is playing and perhaps a little about himself and the style of his playing. Enjoy…
Martin Doyle is a flute maker from County Clare, Ireland. His simple system wooden flutes are renowned for their ease of playing and quality of tone. Visit his website: Martin Doyle Flutes
About Martin Doyle
Born in Dublin, Ireland, Martin Doyle grew up in the seaside town of Bray in County Wicklow. One of four children in a family with music in their blood, Martin was influenced and inspired by his mothers melodious singing from a very early age – learning songs that have stayed with him to this day. Read more: About Martin Doyle.
Webmaster
Martin Doyle's Weblog is maintained by Shardul – Martin Doyle's friend and webmaster. Shardul plays two Martin Doyle flutes and specialises in playing the music of spiritual teacher and musician, Sri Chinmoy.
Tomás MacUileagóid, a flute player, fiddler and harp player/maker from Dublin, Ireland, has kindly added a testimonial to 
